The Splendid Sampler II, Block 6: Rose and Dot

Yesterday, we started Week 6 of the Splendid Sampler 2 Block-of-the-Week quilt along.

Last week, we introduced you to the Week 5 block designed by Susan Ache, called Point Taken. Here's my version of Susan's block.

This week, we meet designer Lori Kennedy of The Inbox Jaunt. Lori's block is called: Rose and Dot. It's such a sweet block and I love its simplicity because it allows you to show off prints using larger pieces of fabric.

This block was so much fun to plan and make. Here is my version of Rose and Dot:

As I did with Clamshells and Balance, I used Helen Stubbings' wonderfully easy technique using her Hugs 'n Kisses Applique Paper to make the leaves and 2-piece flower head.

The Splendid Sampler 2 book will be available October 2018. It is currently available for pre-sale so order your copy, now!

The Splendid Sampler II, Block 5: Point Taken

Yesterday, we started Week 5 of the Splendid Sampler 2 Block-of-the-Week quilt along.

Last week, we introduced you to the Week 4 block designed by Wenche Wolff Hatling of Northern Quilts, called Balance. Here is my version of Wenche's block!

This week, we meet designer Susan Ache of Instagram account: @yardgrl60. Susan's block is called Point Taken. I love how cleverly the name of Susan's block correlates to the design!

I had trouble figuring out what version of the block I wanted to end up with because I couldn't decide on what fabric combination I wanted to use. I did know that I wanted to use my red type print for the main body of my star. So, I started with this version for my block:

However, something was bothering me about this. I'm going to share something with you: I don't typically mix solids with prints if I can help it. Why? Well, if I have an option to use a print in place of a solid, I prefer using a print because I feel it gives my designs added visual interest. And, I'm okay with a "busy" look.

So with that said, I went through the fabrics I'm using and thought I would re-make the block using a different background in place of the cream solid, and I thought I would like the addition of the green dot fabric. After I re-made the block, I stuck it on my design wall to let it simmer.

I left it alone for a few days and kept thinking about it and realized that something was bothering me. I ended up tacking up the pieced center of the first version I made and realized that I preferred the lightness of the cream mini flower print over the visual heaviness of the green dot fabric. And although the "X" print I used in place of the solid cream doesn't perfectly meet up along the center edges of my block, I'm okay with that, so I remade my block for the last time, and here it is:

I think I'm really going to like the boldness of the red star once I sew it into my quilt top; this star will become a bold spot for the eye to land once it's finally placed!

The Splendid Sampler 2 book will be available October 2018. It is currently available for pre-sale so order your copy, now!

The Splendid Sampler II, Block 4: Balance

Today we start Week 4 of the Splendid Sampler 2 Block-of-the-Week quilt along.

Last week, we introduced you to the Week 3 block designed by Helen Stubbings of Hugs 'n Kisses, called Clamshells. 

This week, we travel to Norway to meet designer and shop owner Wenche Wolff Hatling of Northern Quilts. Wenche's adorable, I-want-to-make-more block is called Balance.

Here is my version of Wenche's block:

Before beginning, I knew I wanted to make my elephant from polka dot fabrics. I decided upon my yellow and cream polka-dot print to make my sweet polka-dot elephant, reminiscent of the spotted elephant from Misfit Island in the Rudolph the Red Nosed Reindeer Rankin/Bass film from my childhood. I so wanted to adopt her when I was a young girl.

After choosing my sweet elephant's print, I then choose the blue ticking background fabric and decided how the wobbly stand needed to have visual strength (for my girl to stand upon). Therefore, I chose a dark gray and red mottled solid from the fabric collections I'm using. Then, with just the right hue, I chose An Auriful dark gray cotton embroidery thread for the outline of her head and ear, her eye, and her tail. I contemplated adding an upshoot of water coming from her trunk and, for the time being, will keep her as Wenche designed her: Oh-so-sweet upon her circus platform!

I once again used Helen Stubbings' Hugs 'n Kisses Applique Paper. Many years ago, I taught myself how to do turned-edge applique using freezer paper and I am now hooked on Helen's paper and technique. She has easy-to-follow instructions on how to use it through her YouTube videos.

Please let me know if you have any questions! I hope you enjoy making this block as much as I did!

The Splendid Sampler 2 book will be available October 2018. It is currently available for pre-sale so order your copy, now!

The Splendid Sampler II, Block 3: Clamshells

Today we start Week 3 of the Splendid Sampler 2 Block-of-the-Week quilt along.

Last week, we introduced you to the Week 2 block designed by Rebecca Bryan of Bryan House Quilts, called Milk and Cookies. 

This week, we go all the way to Australia to meet the talented Helen Stubbings of Hugs 'n Kisses. Helen's adorable and fun-to-make block is called Clamshells. Here is her version:

Splendid Sampler 2, Block 3: Clamshells by Helen Stubbings

I've never made clamshells before and really enjoyed making this block. In fact, I'm planning on making an entire quilt using clamshells!

Here is my version of Helen's block:

Before beginning, I laid out my fabrics for the clamshells. I wanted to space out the colors so that a particular color didn't touch another clamshell of the same hue.

Next, applied a thin, iron-on stabilizer to the back of my background fabric, covering the entire 7" square, and then I prepared my appliqué.

I created my clamshells using the pattern instructions and Helen's Hug 'n Kisses appliqué paper, which made the process enjoyable for me. What I especially like about Helen's appliqué paper is that it works as a stabilizer and then washes out. The sheets come in a package of 20 and each sheet measures 8.5" x 11". The leftover scraps of the appliqué paper can be saved and used in a future project.

Helen has helpful videos that explain how to use her appliqué paper, so before you know it, you'll be able to make perfect arcs for your clamshells.

After appliquéing the clamshells to the base fabric, I taped the pattern to the window of my sewing room, then taped my block on top of it. I then traced the flowers onto the face of my base fabric, and then outlined the flowers using a double strand of Aurifil Red #8260 Lana Wool thread. I like how the thread gave the outline of the flowers a nice measure of thickness and a bit of a fuzzy look. When I do redwork embroidery, I stitch my stitches tiny and close together so that there aren't any stitches sticking out around curved edges; the stitching looks smooth and rounded.

Although my block is 6 1/2" square, my vertical right seam allowance is narrow. I'll be sure to pay attention to that when I'm piecing my quilt top together so that I achieve the look of a 1/4" seam.

Please let me know if you have any questions! I hope you enjoy making this block as much as I did!

The Splendid Sampler 2 book will be available October 2018. It is currently available for pre-sale so order your copy, now!

The Splendid Sampler II: The Fabrics For My Blocks

Whether you're a novice or seasoned quilter, choosing fabrics for your quilting projects can sometimes become a daunting task.

Should I use solids, prints, or both?

What theme or style of fabrics should I use?

What colors should I choose?

How many prints do I want to work with?

I love working with prints over solids.

I love designing scrappy quilts.

I prefer not to use solids if I can help it: I'd rather find a small or subtle print to use in place of them.

I believe the number 1 reason why I prefer working with prints over solids is because they invoke visual interest.

I'm using dry cleaner hangers to hang my fabrics on so that I can work with them easier and so that they don't wrinkle.

For the Splendid Sampler 2 Block-of-the-Week, I've chosen to use an older fabric collection by Sweetwater for Moda called Hometown. I've had a fat quarter bundle of this collection in my stash for several years and was waiting for the perfect project to use it with.

As I'm cutting into the fabrics, I'm realizing that I'd like to incorporate some additional prints to add a bit more depth. So I've chosen to integrate some prints from another, older collection from my stash called Circa 1934 by Cosmo Cricket for Moda.

I've also decided to check out a few of my local quilt shops, soon, for a few extra additions. Adding in more prints by other fabric designers will help diversify the look of my quilt, adding even more interest for a unique, scrappy finish.

The Splendid Sampler II, Block 2: Milk and Cookies

Today we start Week 2 of the Splendid Sampler 2 Block-of-the-Week quilt along.

Last week at the kickoff of Splendid Sampler 2, where we introduced you to Alex Veronelli's block, Quilt Market, I mentioned that I would talk about the fabrics I'll be using for my Splendid Sampler 2 blocks. So with that said, I'll be writing a separate blog post soon to tell you about the fabrics I chose to use.

 I'm so excited about today's block. It was designed by Rebecca Bryan of Bryan House Quilts, and was so much fun to make. It's called Milk and Cookies. Here is Rebecca's block:

Splendid Sampler 2: Milk and Cookies by Rebecca Bryan

It has been quite some time since I've done a lot of appliqué. Because of this, I decided to take a few minutes to study the block and think through how I was going to achieve a perfectly round circle using the wedge template from the pattern, and Fabrics C and D.

I decided upon the English Paper Piecing (EPP) technique to sew the wedge pieces together, and then add the center "cookie" circle.

This is how I achieved it using what I had on-hand:

1. Cut out the wedge (cut out along sew line; not seam line) and circle templates, trace them onto either template plastic or poster board; cut out shapes.

2. Trace 12 wedge shapes and 1 circle onto heavy-weight paper; cut out shapes from paper. I used 24lb. printer paper that I use for my home office printer. It's a bit thicker than regular printer paper and I use it for all of my EPP projects.

3. Using a fabric glue stick, dab a bit of glue in the center of one of your paper wedges. Place the glue-side of the wedge onto the WRONG side of Fabric C and make sure to leave enough room around the outside edge of the paper wedge for a 1/4" seam allowance.

4. Cut out the wedge shape from Fabric C, leaving a 1/4" seam allowance. Using a needle and thread, gently fold the seam allowance onto the back side of the wedge shape and baste in place. Make (6) using Fabric C and make (6) using Fabric D.

5. In the same manner, dab a bit of glue in the center of the circle shape. Center and place the glue-side onto the WRONG side of your 3 1/2" x 3 1/2" fabric square, leaving enough room for seam allowance.

6. Cut out circle shape from fabric, leaving 1/4" seam allowance, and baste seam allowance to the back side of the circle.

7. Using a narrow whip stitch (i.e., sew stitches close together) and with right sides together, sew the prepared Fabric C and Fabric D wedge pieces together, alternating, to make a Pieced Wedge Ring. Be sure to line up the edges before you begin stitching each wedge-shape pair together. 

8. Referring to the following image, lay the prepared red circle in the center of your Pieced Wedge Ring (yellow/green fabrics).

9. Baste-stitch the red circle to the Pieced Wedge Ring as shown in the following image. Note: the basting stitches appear loose to show you how to do it. You can tighten them up to secure them. The basting stitches will be removed after you've sewn the red circle to the yellow/green wedge ring.

10. Here is another image showing you how I basted the two pieces together. You'll want at least (6) basting stitches, as shown, to stabilize the project before you stitch the units together.

11. As you did when you pieced the wedge pieces together, whip stitch the red circle to the pieced wedge ring then remove the basting stitches when finished for a perfect circle to appliqué to your 6 1/2" x 6 1/2" pieced base unit to finish your block.

Note: I waited until after I appliquéd the large circle to the base unit to remove the EPP paper. How I did this was I first cut the base unit fabric from the back of the circle leaving a 1/4" seam allowance; this opened up the back of the EPP unit and so I then removed my initial basting stitches to remove the paper.

Here is my version of Milk and Cookies:

If you have any questions, please let me know!

In my next post, I'll be talking about the fabrics I'm using for The Splendid Sampler 2.

The Splendid Sampler 2 book will be available October 2018. It is currently available for pre-sale so order your copy, now!

The Start of Splendid Sampler II, Block 1: Quilt Market

After a year of organizing and with secret emails being exchanged (as well as a secret online group created for us to vent our excitement over the preparations for this much anticipated kick-off!), Splendid Sampler 2 is here!

Pat Sloan

Jane Davidson, a.k.a. QuiltJane

The extraordinary team of Pat Sloan and Jane Davidson have, once again, gathered a passionate, creative group of designers allowing us to share our talents and our stories with you.

What is Splendid Sampler 2? It is an exciting, engaging block-of-the-week quilt along that consists of 100 blocks finishing at 6" square, once sewn together into your very own masterpiece!

This sampler is unique in that Pat and Jane asked each of us to design a special block from our heart; one that reflects our passion for quilting. My unique block design will be revealed at a future date!

Let's begin!

Block 1 was designed by the delightful, smart, and innovative, Alex Veronelli of Aurifil. Alex's block is called: Quilt Market. My interpretation of his design is reminiscent of the rows of market booths presenting their current products and designs to the professional quilting community. We are a community built upon relationships that begin in quilt shops, guilds, and through social media.

When I chose the individual prints for my version of the Quilt Market block (I'll talk more about my chosen fabrics for the blocks I'm making for Splendid Sampler 2, next week), I decided I would place fabrics in my layout so that each fabric would not touch another fabric of the same color. I felt doing this would add interest to my block. I also decided I would add a solid neutral to use as visual "spacers" when I sewed my groups of 3 fabric strips together into Alex's block design. As an aside, I typically don't use many solids in my quilt designs. However, I like how the neutral solid fabric used here, allows for the surrounding fabrics to show-off and shine (also, allowing for a place for the eye to rest, therefore, adding a sense of calmness between the visual busyness of the prints).

Throughout this journey while I make my version of my fellow designers' blocks, I will test myself to make the best use of my fabrics. I've found that I'm taking extra time to think through what prints I'm using in each patch to accentuate the personality of each block. Additionally, each week I'll share tips and tricks that I've learned over the course of my career in design regarding color, the use of prints, balance, in addition to sewing tips, applique techniques, and many other things. I hope you will join me over the next year and will think of it as an expedition filled with excitement and learning something (or, perhaps many things) new!

The Splendid Sampler 2 book will be available October 2018. It is currently available for pre-sale so order your copy, now!